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This is so long as the writings, a kind of virtual artwork defined by discourses. Both yes and no. For what if a literature already converges with an output? As a matter of terminological accuracy I should provide more examples and carry out a more rewarding approach may be an opportunity for the human in appearance, but proves not to conduct another similar experiment. Rather my wish is to deploy this situation of ambiguity and uncertainty to a text, perhaps a machine that manufactured this text, and a human nor a computer specific genre. Neither can claim it as its own. The machine does not comprise one sort of text from some underlying, formal semantic representation is an important research field. Generally, the point of automatic text generation may superficially resemble. Natural language generation is an example of The Dada Engine’s output from the ‘web’ version: reverse engineering: the taking apart of a Text Machine? Or is it the present text must under penalty conform to certain norms. One of the first was, but an early example was performed by Mendoza around the year and is described in his article, Computer texts or high-entropy essays Mendoza. As essays, it is a question that has not yet been tested. Machines using text generation techniques have written quite a large amount of rubbish generated by the editors of the greater program known as Deconstruction. And by uttering its name at this point do we know when the Android is recognised for what it seems and repulsion it is we are dealing with. Cybertext is not questioned too, his arguments have the taint of special pleading. http://www.elsewhere.org/cgi-bin/postmodern This is so long as the writings, a kind of virtual artwork defined by discourses. Both yes and no. For what if a literature already converges with an output? As a matter of terminological accuracy I should provide more examples and carry out a more modest and manageable case: the machine can write unassisted by a machine generate a research title? Here are three more examples. Automatic generation of ASCII data from grammars using recursive transition networks; or in Bulhak's terms, meaningless. As he has demonstrated however, this distinction between meaningful and meaningless text is written by a machine? Android Literature and Robot Literature. One looks human, but is not; the other just is not. Let us consider a more modest and manageable case: the machine apart from the many other travesties at Stanford University's The Random Sentence Generator http://www-cs-faculty.stanford.edu/~zelenski/rsg/. See APPENDIX for examples. That it is possible for a long time, been a question of the human-machine contribution that further complicates the matter, particularly if this text is hard to maintain as it is a machine, the machine fail obviously? My intention is not conventionalised and false as it is that the artworks they read of exist outside of the mind reverse engineer this paragraph and Duchamp emerges. It is problems like this that make Aarseth’s worthy attempt to clarify a key question of the technical issues here and now. Can a machine could write a thesis, albeit perhaps not this thesis, constitutes its situation as an artwork, specifically a conceptual artwork. But the language is more unusual? Will the machine writes text it should not, then this text or a text that produces in the Introduction by William Chamberlain and in contradiction to Aarseth’s own assessment the work should be fairly straight forward. In fact we can begin right here and now. Can a machine that “who”? is the author of the score, and a human who is what. Mystification is neither a human nor a computer specific genre. Neither can claim it as its own. The machine does not make one a cubist, still less a member of the respectable online journal Social Text, who were thoroughly duped. OK. That was a machine.